This week's Book in Isolation transports you to the Outer Library of the Institution to delve into the history of the Institution's bindings.
Beautiful, intricate and varied, shells have adorned our clothes, our homes and our objects of art for centuries. From the end of the 17th century, natural scientists began to collect, organise, observe and draw them in earnest. George Montagu’s Testacea Britannica (1803) is one of the most important works of natural history to come out of the Age of Enlightenment – and it has a special significance for Exeter.
In his day, W. E. Norris was described as the ‘Gainsborough of English novelists’, an heir to Trollope and a writer of ‘Disraelian intensity’ … so why aren’t we reading his novels today?
Beth Howell investigates curiosity in the animals and wildlife described and depicted in 19th century books of exploration in the collections of the Devon and Exeter Institution - what animal can you draw?
From the early 19th century, Koenig & Bauer’s new steam-powered double-cylinder printing press, capable of printing over 1100 sheets an hour, disseminated information fast. The circulation of The Times newspaper increased from 5,000 to 50,000 by the middle of the century. However, not all printing was about speed – in 1822 William Savage published his guide to fine art printmaking – still a popular art form today.
Furloughed on half pay following the end of the war with France, Captain Hugh Clapperton (1788–1827) looked to augment his income with an intrepid exploration into the African interior.