Book of the month
Explore highlights from our collections, from the 15th century to the present day.
Annotating Alice: An Exam-Season Special Collection Highlight
January is exam season, and we would like to extend wishes of good luck to our student members, many of whom have been revising and studying here over the last […]
Charlotte Chanter’s “Ferny Combes” and the fashioning of the fern craze in Devon
“My humble effort is designed to lead the youthful and cheer the weary spirit, by leading them, with a woman’s hand, to the Ferny Combes and Dells of Devon.” Beautifully […]
Francis Stevens (1781-1823) and the Devon and Exeter Institution
The South West Collection includes many rare items that shed light on the history of our region. This lovely pocket sketchbook, bound in leather with a brass clasp, contains pencil sketches and notes by the landscape artist, etcher and drawing master, Francis Stevens (1781-1823).
Thomas Young (1773-1829) – ‘The last man who knew everything’
This month’s Book of the Month by Edward Maunder, a Library volunteer, is inspired by two books in our Early Science collection – Thomas Young’s A course of lectures on natural philosophy and the mechanical arts (1807) and George Peacock’s Miscellaneous works of the late Thomas Young (1855).
The Royal Record
Our collections are full of surprises. August's Book of the Month was discovered by one of our volunteers, Tony Rhodes, while working on the heritage collection in the Outer Library.
Weather reporting at the Devon and Exeter Institution
Rain, rain, go away, come again another day ... Are you wondering where summer is? From January 1817, one of the most important tasks of the Librarian at the Devon and Exeter Institution was taking twice-daily readings from the Institution's barometer and thermometer and recording them in a meteorological register.
Out of the woods
Though we are not quite out of the woods yet, we are delighted to welcome back our members and volunteers - and to meet new members. Our summer display in the Outer Library is a selection of poetry inspired by trees and spanning four centuries, from Robert Herrick’s ode to the willow to A. E. Housman’s celebration of the blossoming cherry – the loveliest of trees. Our display is organised in collaboration with Exeter Cathedral Library and Archives to celebrate Love Your Burial Ground Week, 5-13 June 2021.
The Great Exhibition – 170 years on
The Great Exhibition of the Works of Industry of All Nations opened in Hyde Park, London, on 1st May 1851. It was spearheaded by Prince Albert and members of the Royal Society for the Encouragement of Arts, Manufactures and Commerce (later the Royal Society of Arts), including Sir Henry Cole. The Crystal Palace - an incredible cast iron and glass structure, measuring 1848 feet long and 454 feet wide – was constructed in just nine months. The Great Exhibition was to be a ‘wonder of the world’ – a celebration of international industrial design and technology with exhibits from all corners of the earth. But, principally, it was to be a grandstand for Britain and for British manufacturing.
The frontispiece as a ‘threshold of interpretation’: Thomas Hobbes’ Leviathan (1651)
In the 17th century, books began to acquire frontispieces – an illustration, usually a full-page engraved plate, facing the title page. The frontispiece was often an exquisite work of art in its own right - but what was its purpose in the narrative?
A ‘Cornish boy, in tin-mines bred’: the legend of John Opie (1761-1807)
Born in Mithian, St Agnes, Cornwall, John Opie (1761-1807) overcame his humble birth to become a Royal Academician and one of the foremost portraitists and landscape artists of his day. He was introduced to the London art world as a self-taught Rousseauian 'noble savage', raised in a ‘remote and secluded part of the island’, who rose to fame ‘unassisted by partial patronage’. However, little of this was true.
